Відео

To be honest - I didn't realize this was an option until you mentioned it. It's turned on...thank you!

We are all (or at least should be) still learning. Be patient and grow at the pace that allows you to retain.

You absolutely can. It’s up to the individual and musical upbringing they have had or what makes the most sense. I know a lot of gospel musicians who would prefer the numbers of the key (and hear it that way best). Other musicians in other cultures use fixed Do in solfège, so using that can get tricky when attempting a “one size fits all” approach. What works best for you will be perfect for you and there’s nothing wrong with that!

That’s a good question. I am a believer of using effects as a sparingly used compliment to the sound and need of the music. What would you want to accomplish with it? Start there.

Glad to serve them!

Thanks for watching!

You are welcome - thank you for watching 🙏

Hi Jason. I am a french trumpeter. Do you give lessons ?

@@roger6145 Hi Roger - I do teach lessons, but my schedule is full right now. There is always a possibility later on down the road, though.

99% of my videos have background music which isn't playing when a music example is. It's ok if you don't like it. Thanks for checking it out anyways.

​​@@JasonKlobnakMusicIncSo this seems to be the 1%-video where you play licks over a background music that has nothing to do with your licks. If this is a question of liking it or not ... 😢

@@bernhardtmitdt2586 🤷‍♂

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Glad to hear 🙏

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Thank you

I agree - thanks for checking out the video!

Granted this was from quite a while ago (considering how fast A.I. makes updates, changes and improvements). It's very possible that if we were to run the same prompt...or a more comprehensive prompt, that it might give us a different outcome now.

@@JasonKlobnakMusicInc I just discovered Udio - it's an AI for generating music and it's quite scary how good it is.

Some instruments provide an easier visual layout than others (piano/guitar for example). The concept I try to teach with improvisation can be applicable to any instrument, though. But true, you have to get a grasp on the mechanics of the instrument you're trying to play first.

If I start busting out the Sesame Street theme on the trumpet, you'll know for sure!

Happy to help!

I ❤the 4th when it's used appropriately!

I've hit the rewind button on LOTS of songs and videos 😀

Thank you - I hope this helps you on your solo. Good luck!

Happy to share - please feel free to check out some of the other videos too!

Happy to hear - thank you for checking it out!

My website for all of my books, etc is at jazztargeting.com

Ok...

Bro his channel has like 200x more subs than your

@@alexjensen2813That's what makes the mistake so surprising. I would've expected more from a youtuber 200x bigger than me

@@aleksjenner677 1 subscriber or 1 million subscribers. Still human beings that make 'mistakes.' This isn't my full-time gig - just making videos to help people. Thanks for checking it out either way.

​@@JasonKlobnakMusicInc I was clapping back to @alexjensen2813 reply suggesting that my comment should be disregarded due to low subscriber numbers. If that argument is taken further, then high subscriber numbers must mean total credibility. I used irony to make the point that his argument is total BS. Of course people make mistakes, but pointing out and identifying those mistakes is the first step in learning how to avoid them.

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For me, it only took a day or so. I was playing a lot during that transition period so the change was quick.

I don't think there's a pedal that gives an authentic 1 octave up sound out there. But, the one I use and think is the best for that would be the Pitchfork.

You can swing the 8th, but I'm a believer that swing is an aural illusion. I find my swing is harder/better when I straighten my 8th notes out and make each of them 'fatter.'

Thank you so much!

I love to hear that - thank you for checking it out!

For progressions that are a little less cyclical the concept still applies.

Check out some of my other videos on targeting. It's a big part of my concept on improvisation.

Some get views and responses and some don't 🤷‍♂

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Yes, that is correct!

The concept works for any instrument 😁

Wow - thank you 🙏 There's a lot of great stuff out there from great people so that's high praise indeed!

I hope it adds some value and benefit to your playing in some way!

Haha - thank you!

Any honest musician will tell you that feeling of being in a funk is real, but it's also cyclical if you can outlast it. The joy of playing comes back again eventually. I've said in many of my videos I don't think about patterns or licks when I'm actually improvising. I truly think about rhythm and where and what the last note of my phrase is going to be. It keeps me on track. The pattern work, though, is stuff to work on in the shed. Keep at it!

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Thank you for taking some time out of your day to check it out!

Yes, the trumpet only has three valves (and yet can play all the notes 😁). The numbers represent scale degrees as explained in the video...

I know that still cant understand the numbers

@@soioioioioioio34 Here you go: In the key of C (a C Major Scale): C = 1, D = 2, E = 3, F = 4, G = 5, A = 6, B = 7, C an octave higher is 8 or 1 again depending on the pattern. The numbers represent the scale. The pattern represents the shape that you can then transpose into other keys.

It's got a number of different names depending on who you talk with, but it's alternating tonguing and slurring every other note. I teach beginners to start with articulating the first two notes of a phrase and then alternate slurring. TTsTsTsTs, etc. (T = tongue/articulate and s = slur to the next note). This allows you to play faster phrases while having that Clifford Brown-eque attack.

It can be both. For beginners, I like to start them with the major pentatonic scale on the I chord and then change the natural 3 to a flat-3 when you go to the IV chord. You can do a lot with just that. But, as you grow you will want to add more. So the digital pattern changes based off of either the key you are in or the chord of the moment. I hope that helps!